As a landscape painter, Lolette Guthrie seeks the essence of a place in order to create visual metaphors celebrating the incredible beauty and diversity of our world. “My paintings are always paintings of light and atmosphere” says Guthrie “and I strive to capture the ephemeral nature of light at a moment in time that transcends the subject and captures a mood that is timeless.” Working in both oils and in pastels she applies countless layers of pigment one on top of the other, allowing each layer to show through, giving a wonderful richness to the surfaces.
For this show, Guthrie concentrated on painting skies that by themselves give the viewer a sense of space, light, time of day, temperature, and weather. In most pieces, the foreground is the accent note.
Mark Kinsella has been working with glass for more than 10 years and continues to develop his technique. Incorporating new processes into his work, he is always evolving and changing, trying new styles, and producing fresh and different work. Kinsella draws inspiration from nature, movies and life experiences, using his photography background for interesting composition and color combinations. His work is sometimes functional, sometimes sculptural and often both.
Most of the work in this show will have a combination of transparent and opaque glass, which look very different depending on whether light is reflected off the surface or transmitted from behind. Says Kinsella, “Some of my work also contains optical illusions. Discoveries are possible in so many ways! I hope that everyone will pick up and touch the glass and feel its texture. I truly believe that working with glass is a metaphor for life. Things can be very random and seemingly disconnected but with patience, creativity, and a little hard work one can pull it all together into something beautiful. I’m motivated to leave the world in better shape than when I arrived and feel that I can do that by creating art that could possibly last hundreds of years.”
Michele Yellin has this to say about her work. “Michelangelo said that every block of stone has a statue inside it and that it is the task of the sculptor to discover it. For me, searching the textured, abstracted, multi-colored surface of my canvas, I ache to discover what each painting wants to reveal to me, and thus become. This is my great challenge, and when detected and captured, my great joy. I have no luck in forcing things along. There are processes I rely on and yet I have no formula guaranteed to bring the painting into being. It is only with the alchemy of materials, skills, intent and some form of magic that allows me to discover what the painting’s true nature is. To see it, I have to not look for it. I have look in an oblique manner, and then, if I am lucky, I make my discovery. These paintings are what were waiting in the paint to be painted.”
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