Alice Levinson, a textile artist, writes of her experience preparing for the show: “In October, 2015 I participated in the X Florence Biennale in Florence, Italy, an international exhibition of contemporary art. My body of clothworks was awarded the Lorenzo di Medici Bronze Medal in Textile Arts. These works will be among those I will be showing in the DREAMING in COLOR exhibit in Hillsborough. Starting with white cloth, I experiment freely with dye, pigments, and printing techniques to create cloth which is complex in texture and rich in visual interest. The fabric is cut or torn and pieces are mixed and melded as I assemble my work. Each composition is built of successive layering of fabric and thread. I aim to create works that engage the viewer and delight the eye with movement and vibrant color. Raw edges are honored and loose threads purposefully retained. My intuitive work process encourages spontaneity and experimentation. By nature, I am an observer of people and the natural world. Musings, scribbled phrases, and gestural sketches follow. These suggest themes, visual motifs, a palette. My intention in place, I reach for the cloth and then the magic begins. Image, line, and pattern find their way though my hands into the work in a remarkable way. My task is to stay open and responsive to the ‘voice’ of the cloth. ‘Listening ‘ with my hands as well as my eyes, I work to facilitate the creative flow. This isn’t easy, but is always satisfying, and often, surprising.”
Glass artist Pringle Teetor describes her new work for the show, “Colors, bright and bold run through my work in many variations. The combinations of different metals in some of the glass colors produce spectacular reactions. Many years ago I studied painting and the artist Morris Lewis had a huge impact on my work. Now, I’ve taken this vision into my glasswork applying colors to create bold, irregular stripes on my vessels. Another use of color in my work is in my incalmo bowl pieces. Incalmo is fusing together multiple glass pieces to make a single vessel. These have to be done very carefully and require a great amount of precision. I’ve combined 4-6 different colors in these vessels to make wide stripes in the bowls – some colors are analogous, others are contrasting to make a bold statement.”
Lolette Guthrie writes, “I am a landscape painter. I work largely from memory so my paintings are reflections on what I experienced at a particular time in a particular place. They are also always paintings of light and atmosphere as I continually strive to capture the ephemeral nature of the light remembered. I begin each piece with a general idea of time and place and then let the painting tell me where and how far to go. As a result, I am never sure what the end result will be because at some point each piece takes on a life of its own and I just follow along. For Dreaming In Color, I concentrated on exploring the use of color, especially in the sky, that almost alone would give the viewer a sense of space, light, time of day, temperature, and weather. In most pieces, the foreground is the accent note.”
Friday August 26
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