MINDFULNESS

Jason Smith

Metal sculpture allows me to push the limits on my creative freedom. When I bend a piece of steel, or shape a piece of copper, I feel no boundaries. The process of my work may come from an idea or a concept, but most of the time, the process develops and unfolds as I begin a new project. For me, it allows my art to come from my heart, and not from my head. My sculptures are a combination of abstract and Asian inspired. The abstract manipulation of form in space to create visual balance, using rhythm, action and movement, combine to create compositions that convey the implied energy found in my work.

My recent work includes two large commissions for the regional cancer care center in Berlin, MD. The project was a year in the making and I feel so honored to be able to create sculptures to help symbolize this disease and be a source of strength for the patients and caregivers.

 

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MINDFULNESS

The Hillsborough Gallery of Arts continues its Featured Artist series with new works by two painters, Jude Lobe and Eduardo Lapetina, and one sculptor, Jason Smith.

Eduardo Lapetina writes, “The creation of my abstract paintings requires a state of active attention, being open to my thoughts and feelings. I tend to work in total isolation to discover the mysteries of my subconscious mind that are part of my own personal history. My abstractions hold the promise of dreams, visions, fears, intangibles and will. They are the result of a collaboration of my mind and spirit.

Titles of some of the paintings that I have produced for the Mindfulness are: ‘Back to Wonder,’  ‘The Trail is Now Visible,’ and “In the Forest of the Heart’. The title of each painting hints at both the physical appearance and the poetic ambiguity of the long journey that brings it into being.”

Jason Smith creates abstract sculptures with steel. Smith writes about his process: “I enjoy the manipulation of form in space to create visual balance. For Mindfulness I have combined pieces of steel and other metals to create compositions that convey rhythm, action and movement.”

Jude Lobe describes her inspiration for the art she produced for this exhibit: “We have all heard of mindfulness, but do we really understand it? I believe mindfulness is living in the moment and appreciating what is around us without judgment. I try not to interpret what is there – just to experience it.”


Lobe continues, “I walked outside and breathed the sweet air and listened to birds. Then returned to the studio and picked up a panel on which to paint. Choosing colors randomly from my palette, I applied them to the panel, layer after layer with no preconceived idea. Now and then I’d scratch the surface to reveal what was below.  A landscape emerged, almost as if the painting had a mind of its own. When I gazed at this new series of painted panels, I realized they all moved me in different ways. Sitting and viewing a blue painting made me feel relaxed, red made me feel excitement. After a while my left brain began to engage and I started to see what I wanted to add to the image to take it to its final stage.

I have always found creating art roots me in the present, in a peaceful space. Whether I am working in cold wax, metal, or clay, my expectation is that creating art with a calm mindset will translate those same feelings to the viewer.

Opening Reception

June 29

6-9

 

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ART for a C note

The 22 members of the Hillsborough Gallery of Arts come together to present work that is different in medium, but equal in price. The pieces range from paintings to glass, fabric to pottery, and metal to wood. The common thread: everything is $100.
Opening Reception
Jan 26
6-9

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The Art of Giving

 Each holiday season the members of the Hillsborough Gallery of Arts transform the gallery to showcase original ornaments and hand-made gifts. The gallery’s 22 members work in a variety of media, providing a wide array of art and fine craft for holiday shoppers. The glass art includes hand-blown vessels, ornaments, solar lights, paperweights, and jewelry. Fiber art on display includes framed collage quilts and hand dyed stitched cloth. The jewelry in the show covers a variety of styles and techniques, from copper and bronze to sterling and fine silver necklaces, earrings, bracelets and rings, some with gold accents and stones. Visitors will also find metal sculpture, handmade art dolls, pottery, turned wood, and carved ironwood with turquoise and silver inlay. Fine art photography, oil and acrylic painting, scratchboard, and mixed media work festively surround the three dimensional pieces on pedestals.

Come explore the wonderful art exhibited at the Hillsborough Gallery of Arts; you will find exactly the right gift for that special person.

Opening Reception

Friday Nov 24

6-9

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Earthworks

Connections

JUDE LOBE

This year for the show Earthworks I’m continuing to use the method of building and deconstructing in the medium of cold wax & oil. However, I’m concentrating on the ‘connectedness ‘ between earth, man, fauna, plants and everything else making up the universe, and the loss that may occur if we don’t become more mindful.

The idea of us not just being a part of nature, but connected in some way through a primal web of energy intrigues me and feels calming. It makes such sense to me. How else can one explain how we feel the same awe when watching a sunset, or feel anguish when we see someone in pain, or get teary-eyed at a wedding.

2nd try Jude's image

My paintings in cold wax & oil, encaustics and collage are a journey to articulate on a surface an emotion I have difficulty in articulating in words. Sometimes I’m on an archaeological excursion. From building up layers of colors and textures, to scraping away, scratching and uncovering what is beneath, leads me to new places I discover.

In this show I am also exploring working with rust on silk and combining it with copper which I fold and torch fire to bring out the colors.

 
I have been involved with art in one way or another throughout my life. Presently, I work in my studio built by my husband. The studio has easels, enameling kiln, pottery kiln, pottery wheel, slab roller, encaustic equipment, an assortment of paints and mediums, and many other items that inspire me to create.

CopperBowl&inside

Go Figure

Lynn Wartski
A big part of the joy of creating art can come in experiencing the reactions of others.  I enjoy watching people in the gallery approach my figure sculptures for a closer look.  They have the exact opposite effect of an expansive painting where a step back will get the best view. Their scale as art dolls requires the viewer to approach, crouch down, and perhaps walk around. It is in this intimate proximity that each piece can reveal all the little surprises and details I have worked in to the final design. It is rewarding to have those who appreciate my work take note and tell me and others what they see there.
cello_secrets_wartski
I experienced several of these moments at the opening reception of Go Figure!  One woman viewing my piece “Cello”, asked if I had myself played the instrument.  I replied that I had not, and asked what had made her ask.  She said that she had played the cello, and that I nailed not just the posture of the figure, but that her hand, wrist, and finger positions were spot on.  I told her that I had in fact spent time pouring over images of cellists for that exact reason.
A couple was looking quite carefully at “Getting Lift”.  The husband asked his wife to walk this way to see the stitching on her helmet, just as the wife told him to come to the back so that he could see how I had laced the wings on to her back.  They both told me that it truly appeared that she was just about to take off from her base, and inquired what the key chained to her belt unlocked.
Others remarked that they didn’t truly appreciate “Secrets” until they were able to get up real close and see the expression on her face, or the fact that her boots just happened to match the fabric of her dress bodice. Of “Lacing III”, one viewer told me that she could really see the dancer’s concentration to her task.
A number of people told me that they could place themselves right in the moment I tried to capture with “Sunshine on a Cloudy Day”.  They all noted the joy and freedom of the figure despite the weather she was probably experiencing.
sunshine_-wartski
Perhaps most rewarding, were the comments that surrounded the show Go Figure! itself. Most saying that beyond the obvious connection of human figures, that there was a brightness and strength of spirit that tied all of the artists work together.
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ART from shows

Go Figure

linda and Marcy and Lynn

Linda Carmel is a painter who creates richly textured canvases that focus on the experience of women today. She writes, “The paintings in Go Figure! explore the transition from girlhood to womanhood where outer appearance becomes circumscribed and the carefree girl is hidden.”

In this series she has used the hooped skirt as a metaphor for how women worked within these confines to find autonomy.  She explains, “When girls enter womanhood, both historically and culturally, there are often confining restrictions of dress and behavior that apply.  In times and places where women were unable to voice their opinions, they embroidered their thoughts onto household fabrics and clothing. I have incorporated these unspoken words into many of my new paintings.”

Carmel adds, “Women’s fashion has come a long way from the era of the hoop skirt, but women are still forced to dress the part and hide elements of themselves in order to shatter the remains of the glass ceiling.”

 

Lynn Wartski’s imaginative sculptures portray the human body as art dolls.  Wartski states, “This medium allows me to explore and play with a wide variety of materials and techniques yet still maintain visual cohesion. Inspiration for these small scale figures comes from places both common and unexpected. I delve into the worlds of art, literature, mythology, legend, everyday life.” Lynn uses a variety of materials in her mixed media dolls, but it is her use of metal that links these dolls to her earlier work.

Wartski adds, “For Go Figure!, I have continued to concentrate on gesture and expression.  Though there is no one theme that unifies all my sculptures, there is the intent for each to represent a moment within some narrative. My hope is that the viewer will be drawn into the small details of each doll and hopefully enter into the story she may have to tell.”

 

Marcy Lansman writes of her new work for Go Figure!: “Many of these paintings express my nostalgia for a kind of childhood play that seems rare today, nostalgia for a time when children ran around outdoors uncoached and unscheduled.  I’m intrigued by the excitement and collaboration that emerges from that kind of spontaneity. Several paintings are based on fifty-year old photos of my sons.  I’ve solicited candid photos from friends and family, but often what I get back are smiling faces looking straight into the camera.  So for new subject matter, I’ve taken to photographing children in local public playgrounds.”

Opening Reception

Friday, September 30

6-9

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ART from shows