Orange County Studio Tour

This marks the 23nd year that the Orange County Artists Guild will host its Annual Open Studio Tour. During the first two weekends in November, more than eighty artists located throughout Orange County, including Chapel Hill, Carrboro, Hillsborough, and surrounding areas will be participating in this juried event and opening their studios to visitors who will discover where the creative design happens!

For the seventh year, Pringle Teetor and Linda Carmel will be showing together at Carmel’s home studio, 101 Huntington Drive, Chapel Hill, #45 on the tour. Pringle’s blown glass and Linda’s textured paintings complement each other perfectly. There will be plenty to see and touch.

Ali Givens joins the studio tour for her first year. Ali creates fabric collages that are landscapes, cityscapes and still lifes sewn from colorful batiks and other natural fibers. Her studio is #12 on the tour located at 3611 Mijos Lane, Chapel Hill.

Lolette Guthrie paints primarily with oil. She builds up her canvases layer by layer. Each piece begins with a loose idea that explores the beauty of the natural world. Her studio, #67, is located in Chapel Hill at 113 Rhododendron Drive.

Marcy Lansman returns to the tour for her 12th year. Her new studio, #35, is located at 750 Weaver Dairy Road, Apt. 198, Chapel Hill. Marcy paints with acrylics and her work has evolved from realistic to more abstract, expressive of personal insights and emotions.

Eduardo Lapetina’s studio is located at 318 North Estes Drive, Chapel Hill, #55 on the tour map. This is his ninth year participating on the tour. Lapetina will show new abstract paintings with vibrant colors and in various sizes including very large pieces. His paintings are worked in complete solitude. They represent the discoveries of the unconscious mind. In the artist’s words, “They hold the promise of dreams, visions, fears, and the magic of a private, secret language.”

Ellie Reinhold is joining the tour for the fifth year. She is #60 on the tour and will welcome you at her studio off Roosevelt Drive in Chapel Hill, in the neighborhood across from Cafe Driade. Reinhold’s explores vibrant landscapes using color, brushwork, and iconic imagery.

Michael Salemi is a woodturner who is showing jointly with Miriam Sagasti at her studio (#22). Michael’s work includes both traditional woodturning forms: bowls, plates and platters, and unusual pieces such as ikebanas.

Alice Levinson will be exhibiting her contemporary wall-hung textile pieces. Each is rich in color and texture, and composed of hand-dyed fabric, densely sewn. Her studio is #15 on the map, 3604 Pasture Road, Hillsborough.

Jason Smith creates one of a kind metal sculptures in steel and copper using reclaimed material. His sculpture is abstract. The manipulation of form in space allows the viewer to feel rhythm and movement in his compositions. Jason’s new studio is #2 on the map, 1709 NC HWY 86N, Hillsborough.

OCAG’s Open Studio Tour is a rare opportunity for art lovers from Orange County and beyond to meet artists in their places of work, to view and purchase art directly from the artist, and in many instances to watch as artists demonstrate how they create their pieces. Studio Tour brochures and maps of participants’ studios are available at the Hillsborough Gallery of Arts and other area locations or on the Guild website: http://www.OrangeCountyArtistsGuild.com

Many artists on this year’s tour will have work in the OCAG Preview Exhibit at the Hillsborough Gallery of Arts. Their work will be on display from October 23 through November 12, 2017. This preview show is a wonderful opportunity for a first look at the work on the tour and can help you plan your tour route.

Opening Reception

Friday October 27

6-9

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Three Perspectives

Eric Saunders, Fine Art Photographer

Artist Statement

My subject matter is outdoor landscapes, natural and urban, in color or black and white. I sometimes explore other subjects (artifacts and architecture), and digital enhancement or manipulation of images.

There is no particular story line to my work. I am trying to communicate the beauty of abstract art, and the beauty or intrigue of transient moments in nature and life.

I am mostly self-taught as a photographer. This makes my progress slower than I would like at times, because I listen to all advice, regardless of its merit.

Previously I studied classical piano, and then worked as a corporate computer programmer. I find inspiration for my images in music of all styles and eras; my work experience in computers has enabled me to learn digital darkroom techniques more easily.

All work had been using 35mm film using a NIKON 6006 and NIKON lenses (with a tripod most of the time). In April, 2010 I purchased my first digital SLR, a NIKON D700 (which uses the same lenses as my old film SLR).

I print my images using an Epson 3880 printer, using paper and inks archival to at least 100 years.

 

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Three Perspectives

Lolette Guthrie writes, “I am primarily a landscape painter, however, my viewpoint is different from plien air painters in that I paint largely from memory striving to discover the essence of the subject rather than the reality.  I want to capture the ephemeral nature of light and a mood that is timeless. This has led to increasingly simplified/spare landscapes and at times abstractions derived from them. Resonant color is the core of my process. I juxtapose passages of saturated color with more muted tones and through the application of many layers of pigment and glaze I try to create subtle color and value shifts that provide a degree of luminosity.

For this show, I concentrated on painting an interesting sky that almost alone would give the viewer a sense of space, light, time of day, temperature, and weather. In most pieces, the foreground is almost an afterthought.  In a few, I explored the idea of reality and abstraction through the use of trompe l’oeil painting. When one looks at the sky, one sees refracted light and reflected colors not the reality of colorless air and moisture. Is, therefore, a painting of a recognizable object, landscape or skyscape real?  Or is it more like an abstracted memory or dream of reality?”

Photographer Eric Saunders writes of his new work, “With my photographs I try to communicate the beauty and intrique of abstract art, and transient moments in nature and life. I look to outdoor landscapes, natural and urban, and capture them in color, or black and white.

I am mostly self-taught as a photographer. Previously I studied classical piano, and then worked as a corporate computer programmer. My goal as a photographer is to “see” abstract compositions and communicate them with precise technical control. I shoot in RAW, and edit using Adobe Bridge and Photoshop CS5. I print my images using an Epson 3880 printer.”

Glass artist Pringle Teetor is constantly mesmerized by the dance of color, light, and fluidity in glass. Teetor states, “My forms are mostly functional vessels, but this year I have created pieces with a more sculptural form in mind.  My new flattened vases capture multiple colors and are like abstract paintings in glass. I like to play with the chemistry of color to produce unique effects in each piece of blown glass. Then, I incorporate copper, silver and gold to create new reactions between the glass layers.  The results are not always predictable, but the outcomes are often exciting.”

Opening Reception
Friday
August 25
6-9
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Serious Fun

 

Ali Givens

For Serious Fun I’ve worked on refining several fabric collages that I began years ago. For some pieces, such as “Orange Peacock” I removed the strongest element, the peacock, from the original quilt and built an entirely new composition. In the new collage a cityscape becomes the backdrop as the the peacock stands in front searching among the rocks.  In another work, “Long Afternoon” I simplified the colors to create a completely new feeling. The original background was bright orange, but by replacing it with a more muted gray I was able to make all of the other colors come alive. I think sometimes you have to look at something a long time to figure it out–it’s like a puzzle. Fabric is wonderfully forgiving which makes it very fun as a medium–the more I work with it, the more I’ve learned to relax during the process. For this show I’ve also revisited my favorite theme: the still life.

Especially fun and challenging for me was incorporating my own interpretations of my fellow artists’ paintings and pottery as elements in my own collages. I have a beautiful vase by Garry Childs in my living room. It sits in the corner full of curly willow branches next to a very old stained glass window. Each morning when I sit on the sofa drinking my coffee, I stare at that corner–it became a still life in my mind. I first made a drawing of these elements, the vase, the window, the brick wall and the table. I then made a small collage with fabric to work out the details. Then, from that small collage, I was able to blow it up to a much larger size. This process works well for me. I love images that are small and intimate, and also images that are very large and bold. “Ode to Garry’s Vase” was challenging collage, but one that I truly enjoyed because of personal connection (Garry is also an artist at HGA). Being inspired by my friends is always fun, serious fun.

 

 

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Serious Fun

 

 

Nell Chandler

For our show Serious Fun I found myself in a few different modes. First I wanted to reach back to my earlier mostly narrative line but add a more light a airy feel to it. I worked with copper and my etched brass but added a hinged sterling component to it.

I also got inspired by a collaborative piece I did with Pringle Teeter when she asked me to make a chain for her Hunter’s Globe in our All about the Story Exhibit. The more the world around me seemed to becoming unhinged the more obsessed I became with hinges and I made a couple of necklaces and bracelets that were created mostly of hinges. I loved the light and airy feel they have.

Then I got in a mood to work on some of my serious work of a more tailored line. I felt like I was searching for some sort of stability.

All the while I was reading books, magazines and watching tutorials on how to fire enamel during the slow times on my shifts at the gallery. I have wanted to learn torch enameling for a long time. I began ordering the things I knew I would need and one day I sat down with my book and began experimenting. I loved it from the first firing I did! I found I could mix my light and airy component to the sturdy and stable piece of enamel and find a comfortable balance.

I loved the way my friends and family and gallery folks reacted to my newest line at our opening! I loved that so many people wanted to try it on and hold it in their hands. And having my exhibit along with Ali Givens and Michele Yellin, with all their big bold happy colors made our title Serious Fun fit perfectly into the space..

 

Serious Fun

Nell Chandler writes, “For our show I have created some of my narrative jewelry about relationships, spirituality and just life. I have also made some of my more abstract pieces that have a more tailored look. I always enjoy reaching back to my previous techniques and jewelry lines for inspiration, but this year feels different. I find the challenges of the world today burdening my heart.  As a reaction to this heaviness, I find myself in the studio making pieces that are more lighthearted and airy.”

Chandler continues,  This show  has also given me the opportunity to try something new. I have been thinking about trying a little torch firing and have been reading magazines and books and watching tutorials. I have dabbled a bit now and it feels perfect for our show we named Serious fun.

Painter and assemblage artist, Michele Yellin, often begins her work by placing a quote in the underpainting as way to start the process. Color is the language she uses with great boldness to say the things that cannot be expressed in words. As she layers the canvas with color she finds that figures and shapes begin to emerge. Much like a writer developing a cast of characters, she lets these shapes and figures tell her who they are. Michele moves from philosophical to playful with deftness and a strong sense of her own artistic voice.

Yellin writes, “For Serious Fun I have created vibrant paintings and wooden folk art using texture, layers of color, and line. With these elements, I am exploring the reality that is inside the reality we see.”

Fabric artist Ali Givens writes, “For Serious Fun  I have worked on refining several fabric collages that I began years ago. For some pieces, such as “Orange Peacock” I removed one element, the peacock, from the original quilt and built an entirely new composition. In another work, “Long Afternoon” I simplified the colors to create a completely new feeling. I’ve also revisted my favorite theme for other new work: the still life. Especially fun and challenging for me was incorporating my own interpretations of my fellow artists’ paintings and pottery as elements in my own collages. Being inspired by my friends is always the most fun, serious fun.”

Opening Reception

July 28

6-9

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Up Close

Stepping Up

Linda Carmel

Being a “featured artist” at the Hillsborough Gallery of Arts gives us the opportunity to present a body of work to the public.  Alice, Lynn and my work all contain intricate details that we want viewers to explore, hence the title of our show, Up Close.  We also all use fabric in our art.   Alice creates the colors of the cloth she assembles in her work.  Lynn uses fabric and other materials to clothe her sculptures and in this series of paintings I have used lace as a stencil to add a depth to the surface of my paintings.  I encourage viewers to touch these multilayered paintings to add another dimension to the act of viewing.

At the Opening Reception the artists have the opportunity to talk about their work and I love hearing responses from viewers.   I learn a lot about how my ideas are perceived.  I am often surprised by the conversations that my paintings evoke.  My theme of women and the challenges we face at this time strikes a chord with many people.  I started this series at the beginning of the year, when many women were disappointed and feeling that their hard won freedoms were at risk.  The Women’s March brought us together to let our voices be heard.  Equality and respect are rights for everyone, regardless of gender, race or economic status.  This need for a community of equal partners is the theme of my paintings.

Family Ties

In this painting a young woman looks towards the future. The wind blows though her hair. Life seems full of possibilities and yet she is tied to her land, her culture and her family, as represented by the quilt. This was true for most women until very recently. Access to higher education is changing some women’s lives but women have yet to reach the equal status in the workplace that their education merits.

I hope that you will visit the Hillsborough Gallery of Arts and see the show.  The show will close on July 23rd.