Now and Again

 

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The Hillsborough Gallery of Arts is celebrating 10 years as a gallery with a group show including 42 members, past and present. The gallery opened in September of 2006, and the founding 15 members started the gallery as a leap of faith. The artists did not know each other, and they had little experience in running a business. The gallery is now run by 21 members who are equal partners and make decisions by consensus. Featured artist shows, group shows, and juried shows create a strong relationship between the artists and their surrounding community. Now and Again, the latest group show, is the Hillsborough Gallery of Arts’ way of celebrating with all of the talented artists and friends who have made the gallery a success.

Opening Reception

Friday

January 27

6-9

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Resolutions 2017

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Mem­bers of the Hills­bor­ough Gallery of Arts are cel­e­brat­ing the annual Juried Art Com­pe­ti­tion, RESOLUTIONS 2017.  The Gallery received 152 entries from artists resid­ing all over North Car­olina, from Asheville to Wrightsville Beach. Gallery mem­bers were thrilled to receive so many out­stand­ing entries once again in this third annual event.

This year 29 pieces of art, both 2D and 3D includ­ing paint­ings, pho­tog­ra­phy, tex­tiles, ceram­ics,  sculp­ture and mixed media have been selected for the show which will open on Jan­u­ary 4th 2017, and will be up through Jan­u­ary 22nd.

Here is our list of accepted artists:

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Awards juror, Dr. Larwrence Wheeler, Direc­tor of the North Car­olina Museum of Art in Raleigh, North Car­olina will be in atten­dance and present awards at the opening.

OPENING RECEPTION 
Fri­day, Jan­u­ary 13th,  6 to 9pm. 


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The Art of Giving

holiday-rgbEach holiday season the members of the Hillsborough Gallery of Arts transform the gallery to showcase original ornaments and hand-made gifts. The gallery’s 21 members work in a variety of media, providing a wide array of art and fine craft for holiday shoppers.

The glass art includes hand-blown vessels, ornaments, solar lights, paperweights, and jewelry. Fiber art on display includes framed collage quilts and hand dyed stitched cloth, knitted scarves; and fabric handbags. The jewelry in the show covers a variety of styles and techniques, from copper and bronze to sterling and fine silver necklaces, earrings, bracelets and rings, some with gold accents and stones.  Visitors will also find metal sculpture, pottery, turned wood, enamels, and carved ironwood with turquoise and silver inlay. Fine art photography, oil and acrylic painting, encaustics, scratchboard, and mixed media work festively surround the three dimensional pieces on pedestals.

Explore the wonderful art exhibited at the Hillsborough Gallery of Arts to find a special gift for that special person.

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Go Figure

linda and Marcy and Lynn

Linda Carmel is a painter who creates richly textured canvases that focus on the experience of women today. She writes, “The paintings in Go Figure! explore the transition from girlhood to womanhood where outer appearance becomes circumscribed and the carefree girl is hidden.”

In this series she has used the hooped skirt as a metaphor for how women worked within these confines to find autonomy.  She explains, “When girls enter womanhood, both historically and culturally, there are often confining restrictions of dress and behavior that apply.  In times and places where women were unable to voice their opinions, they embroidered their thoughts onto household fabrics and clothing. I have incorporated these unspoken words into many of my new paintings.”

Carmel adds, “Women’s fashion has come a long way from the era of the hoop skirt, but women are still forced to dress the part and hide elements of themselves in order to shatter the remains of the glass ceiling.”

 

Lynn Wartski’s imaginative sculptures portray the human body as art dolls.  Wartski states, “This medium allows me to explore and play with a wide variety of materials and techniques yet still maintain visual cohesion. Inspiration for these small scale figures comes from places both common and unexpected. I delve into the worlds of art, literature, mythology, legend, everyday life.” Lynn uses a variety of materials in her mixed media dolls, but it is her use of metal that links these dolls to her earlier work.

Wartski adds, “For Go Figure!, I have continued to concentrate on gesture and expression.  Though there is no one theme that unifies all my sculptures, there is the intent for each to represent a moment within some narrative. My hope is that the viewer will be drawn into the small details of each doll and hopefully enter into the story she may have to tell.”

 

Marcy Lansman writes of her new work for Go Figure!: “Many of these paintings express my nostalgia for a kind of childhood play that seems rare today, nostalgia for a time when children ran around outdoors uncoached and unscheduled.  I’m intrigued by the excitement and collaboration that emerges from that kind of spontaneity. Several paintings are based on fifty-year old photos of my sons.  I’ve solicited candid photos from friends and family, but often what I get back are smiling faces looking straight into the camera.  So for new subject matter, I’ve taken to photographing children in local public playgrounds.”

Opening Reception

Friday, September 30

6-9

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ART from shows

 

 

Dreaming in Color

Sky is Bluer Thank the SeaAlice Levinson

TEXTILE can be a confusing label for a piece of artwork. It truly is an umbrella term which encompasses a wide range of work from quilts to weavings, from fashion to tapestries. Each of these categories of textile is identified by the manner in which the cloth and/or fiber is assembled (e.g., sewn, woven, or quilted). When I started work with textiles,I was drawn to the texture, handof cloth. I worked with cloth I sourced from stores, scrap, or vintage collections. My interest was to use it to assemble visually interesting compositions.

Most often these compositions also had a thread of narrative at their core.

The more I worked, the more I encountered a variety of fabrics, the more I came to appreciate the role pattern and color played as I assembled my compositions.

Alice'e Stash

My stash of acquired fabric grew. My facility with needle and thread increased. All was good. Then one day I watched a demonstration of cloth dying and a new door opened for me, I was entering the world of surface design, yet another sub-category that falls within the rubric of textile. The hallmark of surface design is the manipulation of the surface of cloth through the application of techniques and substances to create a unique textile.

My facination with the process led, to the first of several workshops to learn

to dye cloth. I learned to prepare carefully the dye concentrates and then begin the magic of turning white cloth to any and every hue. Initially I was limited by my lack of experience and expertise in managing the dying process. As someone once said, practice makes perfect.Well, in my case, practice has made good enough!It was a heady experience to create my own rainbow stash of fabric. From early efforts with muslin and cotton sheeting, I progressed to working with embossed and textured cotton,linen, wool, velvet and silk. Each particular fabric takes the dye in its own way and each has its own particular texture. More learning,hs led to more variety with which to work. In the time to follow I have learned to use the dyes to paint and screenprint my fabrics adding pattern to the elements of color and texture. The cloth that emerges from my wet (dye) studio has become the primary inspiration for my current work which are featured in the exhibit, DREAMING IN COLOR. The use of surface design techniques leads my work to be process driven. This encourages experimentation and sponteneity in my working and results in a liveliness and sense of organic movement in the resulting works. I hope you will visit the exhibit and consider the many steps that have resulted in the works you see.

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OLYMPUS DIGITAL CAMERA

 

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ART from shows

Colorful Language

Michele Yellin
Several of the paintings that I created for this year’s featured artist exhibit carry a secret inside of them.They are filled with colorful language. By that I don’t mean that I have painted curse words all over them, although at times I am tempted, but rather, I have first written a phrase in paint on the surface of the canvas.This is a good way for me to get a painting going. It provides a  structure for the painting, and an interesting or profound thought to keep in mind throughout the arduous process of creating.
 Michele writing
In the painting Giving Up On Being Perfect, this is what is written in the underpainting:
“The thing that is really hard and really amazing is giving up on being perfect and beginning the work of becoming yourself.” by Anna Quindlen.
After I paint the phrase, I fill in the rest of the surface with lots of color creating an abstract
painting that eventually obliterates the words. Hopefully I have taken the time to write the phrase on the stretcher boards on the back of the painting, because if I am lucky, the title of the painting will come from that phrase and be perfectly appropriate.
 Michele underpainting
The next step for me is to look at the abstracted painting, and discover what images are hidden in the paint and texture.Using line and color, I will start to define what I see in the paint. Bit by bit, I will add to the painting until the composition is complete.
MicheleYellinGivingupOnbeingPerfect
While I don’t create every piece this way, I use many of the same practices when I am creating art. Color says the things that I can not find the words to say. It is its own language.
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ART from shows

Colorful Language

 

Matriarch PendentNell Chandler

This year I explored the melding of techniques from my past few Featured Artist shows. I created familiar “story bracelets” with new narratives. I became intrigued by families and ancestry and all the different kinds of families there are in this world.  My Matriarch Bracelet which I modeled after my sister Amy’s family spans  three generations. I painted one daughter with a husband and a daughter of her own and another daughter with a husband and two cats and a dog. I was just fascinated by all the different combinations.

 

flower charms

I also went back to a recent theme of mine of flowers. I would take pictures of all the wildflowers on my frequent morning walks with my friends and then paint them on my jewelry from my phone. I am always delighted by beautiful nature.

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And the last line I created were ideas of pieces melded together from two of my last shows. I combined my black and white line on polymer clay with some color components. When we were throwing out titles for our show it was when Ali Givens suggested Colorful Language that Michele Yellin and I knew right off the bat that that was perfect for all three of us. It was a wonderful journey.

 

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ART from shows