Now and Again

 

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The Hillsborough Gallery of Arts is celebrating 10 years as a gallery with a group show including 42 members, past and present. The gallery opened in September of 2006, and the founding 15 members started the gallery as a leap of faith. The artists did not know each other, and they had little experience in running a business. The gallery is now run by 21 members who are equal partners and make decisions by consensus. Featured artist shows, group shows, and juried shows create a strong relationship between the artists and their surrounding community. Now and Again, the latest group show, is the Hillsborough Gallery of Arts’ way of celebrating with all of the talented artists and friends who have made the gallery a success.

Opening Reception

Friday

January 27

6-9

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Resolutions 2017

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Mem­bers of the Hills­bor­ough Gallery of Arts are cel­e­brat­ing the annual Juried Art Com­pe­ti­tion, RESOLUTIONS 2017.  The Gallery received 152 entries from artists resid­ing all over North Car­olina, from Asheville to Wrightsville Beach. Gallery mem­bers were thrilled to receive so many out­stand­ing entries once again in this third annual event.

This year 29 pieces of art, both 2D and 3D includ­ing paint­ings, pho­tog­ra­phy, tex­tiles, ceram­ics,  sculp­ture and mixed media have been selected for the show which will open on Jan­u­ary 4th 2017, and will be up through Jan­u­ary 22nd.

Here is our list of accepted artists:

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Awards juror, Dr. Larwrence Wheeler, Direc­tor of the North Car­olina Museum of Art in Raleigh, North Car­olina will be in atten­dance and present awards at the opening.

OPENING RECEPTION 
Fri­day, Jan­u­ary 13th,  6 to 9pm. 


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Dreaming in Color

Sky is Bluer Thank the SeaAlice Levinson

TEXTILE can be a confusing label for a piece of artwork. It truly is an umbrella term which encompasses a wide range of work from quilts to weavings, from fashion to tapestries. Each of these categories of textile is identified by the manner in which the cloth and/or fiber is assembled (e.g., sewn, woven, or quilted). When I started work with textiles,I was drawn to the texture, handof cloth. I worked with cloth I sourced from stores, scrap, or vintage collections. My interest was to use it to assemble visually interesting compositions.

Most often these compositions also had a thread of narrative at their core.

The more I worked, the more I encountered a variety of fabrics, the more I came to appreciate the role pattern and color played as I assembled my compositions.

Alice'e Stash

My stash of acquired fabric grew. My facility with needle and thread increased. All was good. Then one day I watched a demonstration of cloth dying and a new door opened for me, I was entering the world of surface design, yet another sub-category that falls within the rubric of textile. The hallmark of surface design is the manipulation of the surface of cloth through the application of techniques and substances to create a unique textile.

My facination with the process led, to the first of several workshops to learn

to dye cloth. I learned to prepare carefully the dye concentrates and then begin the magic of turning white cloth to any and every hue. Initially I was limited by my lack of experience and expertise in managing the dying process. As someone once said, practice makes perfect.Well, in my case, practice has made good enough!It was a heady experience to create my own rainbow stash of fabric. From early efforts with muslin and cotton sheeting, I progressed to working with embossed and textured cotton,linen, wool, velvet and silk. Each particular fabric takes the dye in its own way and each has its own particular texture. More learning,hs led to more variety with which to work. In the time to follow I have learned to use the dyes to paint and screenprint my fabrics adding pattern to the elements of color and texture. The cloth that emerges from my wet (dye) studio has become the primary inspiration for my current work which are featured in the exhibit, DREAMING IN COLOR. The use of surface design techniques leads my work to be process driven. This encourages experimentation and sponteneity in my working and results in a liveliness and sense of organic movement in the resulting works. I hope you will visit the exhibit and consider the many steps that have resulted in the works you see.

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

 

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ART from shows

Grounded

Grounded-BLOG

 

Evelyn Ward, a potter who makes functional stoneware with salt fired glazes, has this to say about her work for the show. “Working with clay keeps me grounded. My time in the studio is a place where I can get distracted from life and totally absorbed in my work. Throwing repetitive forms has become unconscious, almost like a song known by heart, one whose lyrics are never hard to remember. Working on new forms awakens me and keeps me interested and excited about going to the studio every day. For this show I’ll be showing a mix of new forms that I’m really excited about and some familiar ones too.”

 

In her new work for Grounded,  acrylic painter Ellie Reinhold moves away from the intensity of the human experience to focus on nature itself. Reinhold writes, “The new work slated for Grounded holds no deep psychological approach to the theme. Instead recent explorations in texture and color remain my focus and loose tree imagery continues to hold sway. The tree, in my view, is one of the Great Grounders of this world; earth bound yet far reaching, held in place yet always moving.”

 

Grounded is ushered in on painter Pat Merriman’s 80th birthday with her COURAGE series on American Women in History. The series began with a collage of women in the early 1900’s. As an academic, Pat passionately researched the history of women’s acts of courage from the early settlers to the 2016 edict that the American military can be gender neutral. As an artist, Pat then simplified these themes to create bold, colorful collages. Merriman states, “There are panels of the Suffrage movement, the Daughters of Liberty, The Trail of Tears, Latina women, African American women, and 1950’s women who read the “Feminine Mystique”– all leading toward the Equal Rights Movement.”

 

Merriman adds, “There is also a series of four profiles of North Carolina Barns, some reflecting the styles of Wolf Kahn and Milton Avery.  Barns depict the sociology of  America…styles reflect the culture of the immigrants, their life in America often began outside of the cities with the building of a barn.”

Opening Reception

June 24

6-9

 

 

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ART from shows

Earth Wind and Fire

unspecifiedgarry redGarry Childs
 
All of my work is formed on the potters wheel from terra-cotta clay. I apply glazes and pigments to my pots when they have reached a state potters call “leather-hard” which is when the clay has stiffened up enough to handle but is not completely dry. I usually do this by spraying but sometimes also with a brush. I then carve through the glaze into the still damp clay to achieve the various patterns seen on my work.
unspecifiedGarry, blue
I encourage people to touch and handle my work. Pots are made with hands and they should be “looked at” with hands. Texture, particularly the contrast between the smooth glazed areas and the rougher, hard edges of the carved surface is very important. Putting both hands on a piece and moving them up-and-down allows you to truly feel the shape and the ridges left by my fingers in the soft clay. I also think it’s great fun to put your head down inside one of the big pieces and holler, the echoes are wonderful.
 
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My pots are made for people’s homes. My bowls and platters look best on tables with food being shared by families and friends, my planters and vases with someone’s favorite herb or fresh flowers. Some pieces are certainly more decorative in nature than others. Those are an expression of my joy in the process that hopefully becomes a part of someone’s day to day life.
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ART from shows

Earth Wind and Fire

unspecifiedJude's image
JUDE LOBE
 
When I was a child, one might have called me a tom-boy. I spent endless days exploring the woods and parks, climbing trees and building forts near our home in Maryland. I continued my exploration of  wild and natural environments as an adult. Luckily, I lived equal distance from the Shenandoah and the Blue Ridge Mountains to Assateague and Chincoteague Islands. In these places I felt at home, peaceful, serene and wistful. 
These natural habitats give me a connection to a past, a history of bygone times. Being in these beautiful endangered landscapes gives me solace from stress and hope for a future. In this exhibit I revisit some of these places in my mind and attempt to capture the emotion I felt there and being captivated by the play of light on a rock cliff, or swaying grass in the wind.
 
My medium of choice for these landscapes is Cold Wax & Oil. The cold wax is a consistency of a paste wax. It is made of beeswax and resins. I mix it 50:50 with oil paints or earth pigments. It has the advantage of giving me the opportunity to show a history of the painting by building up layers of colors, then scratching through to reveal some of the obscured colored layers. To me it is a metaphor of the history of the landscape and how it has evolved over time. 
 
My paintings, rather than being a photographic likeness of the landscape, are rather an emotional interpretation of it with an abstract quality. My hope is that the viewer either gains a feeling of peace and hope I feel when in nature, or reminds them of a similar special place in their memory. 
 

Branching Out

 

License Plate Holder

License Plate Holder

Eric Saunders

For me, “branching out” implies moving away from images of branches of trees towards images of other natural subjects and subjects that are at least partially man-made. It can also mean branching out into digital enhancement of images.

River View in Winter

River View in Winter

When moving away from postcard images of nature, it is still necessary to keep a sense of balance and organization to the composition of the image, else the “pendulum” has swung too far the other way.

Rust and Peeling Paint

Rust and Peeling Paint

 

Winter SkyN0 8

Winter SkyN0 8

 

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ART from shows