Earthworks

Connections

JUDE LOBE

This year for the show Earthworks I’m continuing to use the method of building and deconstructing in the medium of cold wax & oil. However, I’m concentrating on the ‘connectedness ‘ between earth, man, fauna, plants and everything else making up the universe, and the loss that may occur if we don’t become more mindful.

The idea of us not just being a part of nature, but connected in some way through a primal web of energy intrigues me and feels calming. It makes such sense to me. How else can one explain how we feel the same awe when watching a sunset, or feel anguish when we see someone in pain, or get teary-eyed at a wedding.

2nd try Jude's image

My paintings in cold wax & oil, encaustics and collage are a journey to articulate on a surface an emotion I have difficulty in articulating in words. Sometimes I’m on an archaeological excursion. From building up layers of colors and textures, to scraping away, scratching and uncovering what is beneath, leads me to new places I discover.

In this show I am also exploring working with rust on silk and combining it with copper which I fold and torch fire to bring out the colors.

 
I have been involved with art in one way or another throughout my life. Presently, I work in my studio built by my husband. The studio has easels, enameling kiln, pottery kiln, pottery wheel, slab roller, encaustic equipment, an assortment of paints and mediums, and many other items that inspire me to create.

CopperBowl&inside

Advertisements

Earthworks

Garry Childs

All of my work is formed on the potters wheel from terra-cotta clay. I apply glazes and pigments to my pots when they have reached a state potters call “leather-hard” which is when the clay has stiffened up enough to handle but is not completely dry. I usually do this by spraying but sometimes also with a brush. I then carve through the glaze into the still damp clay to achieve the various patterns seen on my work.

Some of the pieces in the show utilize a combination of glazes and a metallic slip coating areas on the pot. I particularly like the way the slip gets a slightly bronze tone on some pieces.

I also have several pots that are a continuation of my “Red Clay” series that use local clays dug straight from the ground to develop texture. These pieces are much heavier textured than I have done in the past and incorporate some additional colors.

It is Springtime so naturally there will be planters included in the show. I make planters in three general sizes. The smallest are approximately twelve inches wide and tall measured on the outside, the medium 15″ x 15″ and the large are 18″ x 18″.  The 12″ size fit nicely on most steps and are the perfect size for growing herbs on your deck or patio. Larger sizes are available on a custom basis.  All have two drainage holes in the bottom of the pot and are suitable for use both indoors and outside in moderate climates.

EARTHworks

blog-header-earthworks

Click on Artist’s name to visit their website

Garry Childs describes his technique, “All of my work is formed on the potters wheel from terra-cotta clay. I apply glazes and pigments to my pots when they have reached a state potters call “leather-hard” which is when the clay has stiffened up enough to handle, but is not completely dry. I usually do this by spraying, but sometimes also with a brush. I then carve through the glaze into the still damp clay to achieve the various patterns seen on my work.”

Chris Graebner describes her inspiration for the show, “I love to drive, especially on long trips. Every summer we go to Northern Michigan – to Lake Huron. It’s a trip I love, two days up and two days back, driving through gorgeous scenery, forests and farms. (It’s amazing how many different types of barns there are!) Last summer, in addition to the trip to Michigan, we made a 3700 mile trip to South Dakota, returning home by way of Texas and Louisiana. As usual, I did most of the driving. Driving forces me to pay attention to everything around me and I’m always amazed by the beauty. Painting is my way of possessing that beauty so I want to paint it all!  My husband is patient about taking photos with the cell phone as we sail past interesting things on the highway. My paintings in this show are all of places observed from the car, in our travels over the last year.”

Jude Lobe’s work presented in Earthworks reflects her love and respect of nature. “For this show I’m still using the method of building and deconstructing, but concentrating on the connectedness between earth, man, fauna, plants and everything else making  up the universe, and the loss that may occur if we don’t become more mindful. I like mixing mediums and love textures, which becomes a metaphor for how all things in the universe are interwoven and intertwined. My paintings in cold wax & oil, encaustics and collage are a journey to articulate on a surface an emotion I have difficulty in articulating in words.”

“Sometimes I’m on an archaeological excursion. From building up layers of colors and textures, to scraping away, scratching and uncovering what is beneath, the process leads me to new places I discover.”

Opening Reception
May 26th, 2017, 6 – 9 pm

Grounded

leaves on a jarEvelyn Ward

 

I’m really excited about my work in the show. For years while I was developing my skills as a potter I didn’t really spend any time drawing, which was my first love as an artist. In the last couple of years I’ve been able to incorporate my drawings more and more into my ceramic work through the use of decals and it’s very gratifying.
In my work for this show I focused mainly on surface design. I divided the surfaces of the pots into blocks of color, layering subtle colors with underglaze and then using those blocks as the background for decals or silkscreen designs. This new work is much more graphic, using pattern and line to define the forms.

thistle plant

To follow our Blog please hit the FOLLOW button at top of page.

To receive Hillsborough Gallery of Arts Newsletter please complete the form below with your name and email address.

Please visit our website

Grounded

Grounded-BLOG

 

Evelyn Ward, a potter who makes functional stoneware with salt fired glazes, has this to say about her work for the show. “Working with clay keeps me grounded. My time in the studio is a place where I can get distracted from life and totally absorbed in my work. Throwing repetitive forms has become unconscious, almost like a song known by heart, one whose lyrics are never hard to remember. Working on new forms awakens me and keeps me interested and excited about going to the studio every day. For this show I’ll be showing a mix of new forms that I’m really excited about and some familiar ones too.”

 

In her new work for Grounded,  acrylic painter Ellie Reinhold moves away from the intensity of the human experience to focus on nature itself. Reinhold writes, “The new work slated for Grounded holds no deep psychological approach to the theme. Instead recent explorations in texture and color remain my focus and loose tree imagery continues to hold sway. The tree, in my view, is one of the Great Grounders of this world; earth bound yet far reaching, held in place yet always moving.”

 

Grounded is ushered in on painter Pat Merriman’s 80th birthday with her COURAGE series on American Women in History. The series began with a collage of women in the early 1900’s. As an academic, Pat passionately researched the history of women’s acts of courage from the early settlers to the 2016 edict that the American military can be gender neutral. As an artist, Pat then simplified these themes to create bold, colorful collages. Merriman states, “There are panels of the Suffrage movement, the Daughters of Liberty, The Trail of Tears, Latina women, African American women, and 1950’s women who read the “Feminine Mystique”– all leading toward the Equal Rights Movement.”

 

Merriman adds, “There is also a series of four profiles of North Carolina Barns, some reflecting the styles of Wolf Kahn and Milton Avery.  Barns depict the sociology of  America…styles reflect the culture of the immigrants, their life in America often began outside of the cities with the building of a barn.”

Opening Reception

June 24

6-9

 

 

To follow our Blog please hit the FOLLOW button at top of page.

To receive Hillsborough Gallery of Arts Newsletter please complete the form below with your name and email address.

Please visit our website

ART from shows

Earth Wind and Fire

unspecifiedgarry redGarry Childs
 
All of my work is formed on the potters wheel from terra-cotta clay. I apply glazes and pigments to my pots when they have reached a state potters call “leather-hard” which is when the clay has stiffened up enough to handle but is not completely dry. I usually do this by spraying but sometimes also with a brush. I then carve through the glaze into the still damp clay to achieve the various patterns seen on my work.
unspecifiedGarry, blue
I encourage people to touch and handle my work. Pots are made with hands and they should be “looked at” with hands. Texture, particularly the contrast between the smooth glazed areas and the rougher, hard edges of the carved surface is very important. Putting both hands on a piece and moving them up-and-down allows you to truly feel the shape and the ridges left by my fingers in the soft clay. I also think it’s great fun to put your head down inside one of the big pieces and holler, the echoes are wonderful.
 
unspecifiedgarry carving
My pots are made for people’s homes. My bowls and platters look best on tables with food being shared by families and friends, my planters and vases with someone’s favorite herb or fresh flowers. Some pieces are certainly more decorative in nature than others. Those are an expression of my joy in the process that hopefully becomes a part of someone’s day to day life.
_
_
_
_
_
_
_
_
_
To follow our Blog please hit the FOLLOW button at top of page.

To receive Hillsborough Gallery of Arts Newsletter please complete the form below with your name and email address.

Please visit our website

ART from shows

It’s all about the story

Story postcard RGB

It’s All About The Story at The Hillsborough Gallery of Arts

In the three novellas that make up “Local Souls,” Allan Gurganus brings to life the complicated relationships of people who are as dark and colorful as the North Carolina town they inhabit. The artists of the Hillsborough Gallery of Arts depict these stories of survival, betrayal, love, longing, and liberation through visual imagery in paintings, photography, metal, fiber, glass, ceramics, and wood. It is a show for all those who appreciate Southern fiction and local art.

About the author:
Allan Gurganus is an American short story writer, essayist, and novelist best known for his ground breaking debut novel, “Oldest Confederate Widow Tells All,” which has sold over four million copies. Educated at Sarah Lawrence and The University of Iowa, he has taught at Sarah Lawrence, The Iowa Writer’s Workshop, and both Stanford and Duke Universities. Among his prizes are an Ingram Merrill Award and a 2006 Guggenheim fellowship. He lives in Hillsborough, NC.

Opening Reception

February 26

6-9

To follow our Blog please hit the FOLLOW button at top of page.

To receive Hillsborough Gallery of Arts Newsletter please complete the form below with your name and email address.

[contact-field label='Name' type='name' required='1'/][contact-field label='Email' type='email' required='1'/][/contact-form