COMBINATIONS

Garry Childs writes of his new work, “I have been making a series of pieces in the past few years in which I apply local clays to the surface of my pots to develop complex textures. My new work for this show will combine this technique with the bright colors and carving seen on my planters, vases and bowls.”

Mixed-media artist and founding member, Pat Merriman, describes her inspiration for Combinations: “For this show I have created several collages in response to Our State Magazine. I learned several startling facts about my birth state. One collage forcuses on Biltmore School of Forestry. Another portrays a series of old wooden windminlls that lined our coast many years ago. It’s always exciting for me to discover obscure facts about North Carolina and to then turn to my canvases to create collages with both printed material and paint.”

Photographer Eric Saunders writes, “For my work Combinations means three different things. It can mean combining complementary or opposing elements in a picture, or combining more than one picture into a collage, or finally combining different digital techniques to manipulate a picture. I have made 10-15 photographic images utilizing all three of these methods, and all three of these types will be part of the featured artist show.”

 

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Trees by Three

 

Ellie Reinhold writes of her new work, “They say ‘write what you know.’ Does the same apply to painters? I’ve been a narrative painter focused on the story for a long time. But one day about a decade ago, walking to my studio, the trees followed me in. I had to paint them. They set up camp in my studio, have grown to fill it, and haven’t left yet!

I am, for sure, a child of the eastern woodlands. It’s the only landscape I know. I have favorites. I confess. There is the 300 year old oak that our rope swing hung from growing up; the magnolia outside of the art building at school where I found recuperative space; the cherry tree I was finally able to plant when I got my own little plot of land; and the pair of trees I slid between on a walk in the woods that spoke to my body with a shiver… I’m sure!

Recently my work reflects my love of color and pattern in combination with my love for the beauty and contrasting austerity of winter tree forms. I suppose I’ve always painted what I know. Lately, it’s been trees.”

Larry Favorite is another artist featured in this show;  Favorite’s work is a natural fit with the theme of trees.  His sculpted boxes, vases, bowls, and lamps all are made from ironwood trees that grow in the Sonoran Desert of Arizona.

Favorite explains, “Each winter I make my annual trek to the Sonoran Desert to gather more ironwood, not knowing where (or even if) I will find the quantity and quality that I need for my work for the coming year.  The wood that I was able to gather this year is truly extraordinary – with some of the most beautiful natural grain that I have ever seen.  Every piece that I am placing in this show is made from wood gathered on this recent trip.”

Favorite continues, “As an artist  I derive my greatest satisfaction from being one with the wood and releasing the beauty that is within.  I love the challenge of looking and listening to each piece of wood, and letting it reveal to me what it might become.  In addition, I make a conscious effort to transmit healing energy from my heart through my hands into each piece of art that I create, almost as a prayer or a blessing.  For me the highest compliment I can receive is when a person holding a piece of my work comments on how calm the work makes them feel.”

Susan Hope describes her new work for Trees by Three,  “My glass work for this show began looking out my studio windows and contemplating the old oak trees beyond. I often waver between literal illustration and impressionist renderings in my work. This time I dug deeper for the inspiration and focused on illusion and light. I wanted to express the energy of life and the joy of being part of it.

Hope writes, “My mosaic panels are either built of boards of done as glass applique (glass on glass) adding yet another dimension of light and imagery. Some of pieces are done as fused paintings and incorporated into the mosaics which are attached to the base. Either way I hope that the viewer of my work is able to take a virtual walk in the woods and feel peace and strength while contemplating the Tree.”

Opening Reception

April 27

6-9

 

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Rock Paper Scissors

Rock: Arianna Bara writes of her new work, “As a jeweler, stones are often the focus of what I am creating. Boulder opals, drusy quartz, labradorite, fossils and gemstones inspire me with their flashes of color and movement. I am intrigued by the stories our ancestors told about the origins of rocks and their properties. My new work incorporates many different stones into textured sterling silver settings in ways that help relay these ancient stories.”

Paper: Lynn Wartski describes her process for this show, “My creative adventure with art doll sculptures continues to lead me in new and interesting directions. Paper has become the most prominent material in my new work: from paper clay to sculpt faces and hands, to adding a tissue paper crinoline as an accent under a skirt, to drawing inspiration drawn from the pages of printed word. I find myself flipping pages of books, and scouring the internet for images to stretch the ideas I am trying to convey within a piece. I enjoy incorporating small details into each art doll that the viewer can only discover upon close inspection. These items pulled from texts often add surprises to the surfaces of the sculptures. One example of this blending of book and doll is my latest look at Lewis Carroll’s Alice Adventures in Wonderland. My sculpture portrays Alice’s inspection of the small bottle labeled “drink me” and the curiously small door she finds in the wall. Vintage playing card images adorn this figure’s dress, floor of the room, and the back of the sculpture. I am excited for my ‘paper’ works to play alongside Arianna Bara’s beautiful ‘rock’ and silver jewelry designs, and the colorful ‘scissors’ play found in Ali Givens delightful textile works.”

Scissors:s Ali Given writes, “The fabric collages in this show depict details of things I see as I explore new places. A building, a person, a vase of flowers– these are all subjects that I like to illustrate with fabric. Often while I wander in new cities, certain things, like a hummingbird painted on an old building, are so wonderful to me that I come home and begin cutting and stitching fabric to capture my initial excitement.”

 

Opening Reception

March 30

6-9

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It’s all about the Story

The Hillsborough Gallery of Arts, an artist-owned and operated gallery in downtown Hillsborough, NC, presents the sixth annual featured show, It’s All About the Story. Each year gallery members choose a local author and book or story collection to respond to in their own medium. Previous authors have included Michael Malone, Jill McCorkle, Lee Smith, Allan Gurganus, and John Bemis. This year the artists have selected a work by Hillsborough’s own, Nancy Peacock, as their source of inspiration. Each piece in the group show, It’s All About the Story, is inspired by Peacock’s memoir,  “A Broom of One’s Own.”

Nancy Peacock will read from her book on Sunday March 11th, 4-6pm at the gallery. The reading will be followed by a reception and book signing.

Nancy Peacock is the author of three novels, the first was chosen as by the New York Times as a Notable Book of the Year. In A Broom of One’s Own, the author describes her experiences as a housekeeper and her journey to becoming a writer. This series of stories is about the houses she cleaned,  the people who lived in them, and her thoughts about writing and life. The artists of the Hillsborough Gallery of Arts depict these stories in paintings, photography, metal, fiber, glass, ceramics, and wood. It is a show for all those who appreciate rich storytelling and local art.

Opening Reception

Friday, February 23

6-9

Reading by Nancy Peacock

Sunday, March 11

4-6

 

 

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RESOLUTIONS 2018

RESOLUTIONS 2018

The Hillsborough Gallery of Arts welcomes in the New Year with its fourth annual statewide juried show, RESOLUTIONS 2018

RESOLUTIONS 2018, will run from January 3th to January 21nd, 2018, and will showcase the work of artists from across North Carolina. Following on the success of the juried shows of the previous three years, HGA held its open call to artists for RESOLUTIONS 2018 this fall.  2D and 3D artists from throughout the state entered works in a wide variety of media. This year’s show includes painting, photography, sculpture, ceramics, collage, encaustics, glass and more.

As in previous years, the exhibit has drawn participation from artists across the state from the mountains to the coast, from Murphy, east to Wrightsville Beach. The annual RESOLUTIONS exhibits are one of a very few art exhibits dedicated specifically to North Carolina artists. The artist-owners of the Hillsborough Gallery of Arts, enjoy the ever-new challenges which come as the group continues its role of organizing and curating the RESOLUTIONS exhibits.

Guest juror for awards for RESOLUTIONS 2018 will be Dr. Sarah Schroth, Director of the Nasher Museum of Art at Duke University. Dr. Schroth joined the Nasher in 1994. She served as Senior Curator at the Nasher for a number of years, before becoming its director in 2013. 

While at Duke, Schroth has organized numerous shows ranging from old masters to contemporary art, including the award-winning 2008 exhibition, “El Greco to Velázquez: Art during the Reign of Philip III.” As a result of that exhibition, which she organized with the Museum of Fine Arts in Boston, Schroth was named knight-commander in the Order of Isabel la Católica by King Juan Carlos I of Spain. She has collaborated on major exhibitions with the Museo del Prado, the Seattle Art Museum and others, and has published widely. Prior to joining the Nasher, Schroth worked at the Kimbell Museum in Fort Worth, Texas; the National Gallery of Art in Washington, D.C.; and the Ackland Art Museum at the University of North Carolina, Chapel Hill. She majored in art history at Mary Washington College and, after working at the Atlanta College of Art and living in Spain, earned her Ph.D. from the Institute of Fine Arts at New York University. She went on to receive the David E. Finley Fellowship at the National Gallery of Art’s Center for Advanced Study in the Visual Arts.

An Opening Reception and Jurors Talk will be held on Friday, January 12th, from 6-9 pm.  The Hillsborough Gallery of Arts is located at 121 North Churton Street in Hillsborough, NC. All works in the show are for sale.

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Orange County Studio Tour

This marks the 23nd year that the Orange County Artists Guild will host its Annual Open Studio Tour. During the first two weekends in November, more than eighty artists located throughout Orange County, including Chapel Hill, Carrboro, Hillsborough, and surrounding areas will be participating in this juried event and opening their studios to visitors who will discover where the creative design happens!

For the seventh year, Pringle Teetor and Linda Carmel will be showing together at Carmel’s home studio, 101 Huntington Drive, Chapel Hill, #45 on the tour. Pringle’s blown glass and Linda’s textured paintings complement each other perfectly. There will be plenty to see and touch.

Ali Givens joins the studio tour for her first year. Ali creates fabric collages that are landscapes, cityscapes and still lifes sewn from colorful batiks and other natural fibers. Her studio is #12 on the tour located at 3611 Mijos Lane, Chapel Hill.

Lolette Guthrie paints primarily with oil. She builds up her canvases layer by layer. Each piece begins with a loose idea that explores the beauty of the natural world. Her studio, #67, is located in Chapel Hill at 113 Rhododendron Drive.

Marcy Lansman returns to the tour for her 12th year. Her new studio, #35, is located at 750 Weaver Dairy Road, Apt. 198, Chapel Hill. Marcy paints with acrylics and her work has evolved from realistic to more abstract, expressive of personal insights and emotions.

Eduardo Lapetina’s studio is located at 318 North Estes Drive, Chapel Hill, #55 on the tour map. This is his ninth year participating on the tour. Lapetina will show new abstract paintings with vibrant colors and in various sizes including very large pieces. His paintings are worked in complete solitude. They represent the discoveries of the unconscious mind. In the artist’s words, “They hold the promise of dreams, visions, fears, and the magic of a private, secret language.”

Ellie Reinhold is joining the tour for the fifth year. She is #60 on the tour and will welcome you at her studio off Roosevelt Drive in Chapel Hill, in the neighborhood across from Cafe Driade. Reinhold’s explores vibrant landscapes using color, brushwork, and iconic imagery.

Michael Salemi is a woodturner who is showing jointly with Miriam Sagasti at her studio (#22). Michael’s work includes both traditional woodturning forms: bowls, plates and platters, and unusual pieces such as ikebanas.

Alice Levinson will be exhibiting her contemporary wall-hung textile pieces. Each is rich in color and texture, and composed of hand-dyed fabric, densely sewn. Her studio is #15 on the map, 3604 Pasture Road, Hillsborough.

Jason Smith creates one of a kind metal sculptures in steel and copper using reclaimed material. His sculpture is abstract. The manipulation of form in space allows the viewer to feel rhythm and movement in his compositions. Jason’s new studio is #2 on the map, 1709 NC HWY 86N, Hillsborough.

OCAG’s Open Studio Tour is a rare opportunity for art lovers from Orange County and beyond to meet artists in their places of work, to view and purchase art directly from the artist, and in many instances to watch as artists demonstrate how they create their pieces. Studio Tour brochures and maps of participants’ studios are available at the Hillsborough Gallery of Arts and other area locations or on the Guild website: http://www.OrangeCountyArtistsGuild.com

Many artists on this year’s tour will have work in the OCAG Preview Exhibit at the Hillsborough Gallery of Arts. Their work will be on display from October 23 through November 12, 2017. This preview show is a wonderful opportunity for a first look at the work on the tour and can help you plan your tour route.

Opening Reception

Friday October 27

6-9

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Three Perspectives

Lolette Guthrie writes, “I am primarily a landscape painter, however, my viewpoint is different from plien air painters in that I paint largely from memory striving to discover the essence of the subject rather than the reality.  I want to capture the ephemeral nature of light and a mood that is timeless. This has led to increasingly simplified/spare landscapes and at times abstractions derived from them. Resonant color is the core of my process. I juxtapose passages of saturated color with more muted tones and through the application of many layers of pigment and glaze I try to create subtle color and value shifts that provide a degree of luminosity.

For this show, I concentrated on painting an interesting sky that almost alone would give the viewer a sense of space, light, time of day, temperature, and weather. In most pieces, the foreground is almost an afterthought.  In a few, I explored the idea of reality and abstraction through the use of trompe l’oeil painting. When one looks at the sky, one sees refracted light and reflected colors not the reality of colorless air and moisture. Is, therefore, a painting of a recognizable object, landscape or skyscape real?  Or is it more like an abstracted memory or dream of reality?”

Photographer Eric Saunders writes of his new work, “With my photographs I try to communicate the beauty and intrique of abstract art, and transient moments in nature and life. I look to outdoor landscapes, natural and urban, and capture them in color, or black and white.

I am mostly self-taught as a photographer. Previously I studied classical piano, and then worked as a corporate computer programmer. My goal as a photographer is to “see” abstract compositions and communicate them with precise technical control. I shoot in RAW, and edit using Adobe Bridge and Photoshop CS5. I print my images using an Epson 3880 printer.”

Glass artist Pringle Teetor is constantly mesmerized by the dance of color, light, and fluidity in glass. Teetor states, “My forms are mostly functional vessels, but this year I have created pieces with a more sculptural form in mind.  My new flattened vases capture multiple colors and are like abstract paintings in glass. I like to play with the chemistry of color to produce unique effects in each piece of blown glass. Then, I incorporate copper, silver and gold to create new reactions between the glass layers.  The results are not always predictable, but the outcomes are often exciting.”

Opening Reception
Friday
August 25
6-9
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