The Hillsborough Gallery of Arts welcomes in the New Year with its fifth annual statewide juried show, RESOLUTIONS 2019.  RESOLUTIONS 2019 will run from January 7th to January 31st, 2019  and will showcase the work of artists from across North Carolina. Following  the success of the juried shows of the previous four years, HGA held its open call to artists for RESOLUTIONS 2019 this fall.  Artists from throughout the state entered works in a wide variety of media .  This year’s exhibit features work in metal, wood, ceramic, textile, and photography.  Also represented are works in oil, acrylic, watercolor, pastel, and encaustic. As in previous years, the exhibit has drawn participation from artists living as far east as Wilmington and as far west as Asheville.  RESOLUTIONS is one of a very few art exhibits dedicated specifically to North Carolina artists.  The artist-owners of the Hillsborough Gallery of Arts have enjoyed the new challenges of organizing and curating the RESOLUTIONS exhibits.  Each year’s exhibit presents the group with unique situations, testing the artist-group’s creativity in new ways.

Guest juror for awards for RESOLUTIONS 2019 will be John Coffey, Deputy Director for Art and Research and the Becher Curator of American and Modern Art of the North Carolina Museum of Art in Raleigh.  A native of Raleigh, Coffey holds undergraduate degrees in History and Art History from the University of North Carolina, Chapel Hill and a Masters degree in Art History from Williams College. In his years at the NCMA, Coffey has been instrumental in making the museum a nationally renowned institution.   An Artists Reception and Juror’s Talk will be held on Friday, January 25th, from 6-9 pm.  All works in the show are for sale.

About the Hillsborough Gallery of Arts:

The Hillsborough Gallery of Arts is owned and operated by 22 local artists and represents these established artists exhibiting contemporary fine art and fine craft. The Gallery’s offerings include oil and acrylic paintings, pastels, sculpture, ceramics, photography, textiles, jewelry, glass, metals, encaustic, enamel, and wood. 121 N. Churton Street, Hillsborough, NC 27278. Phone: (919) 732-5001. The gallery is open 10am-6pm MondaySaturday, and noon-4pm on Sunday. More information can be found on the HGA website:

Opening Reception

Fri Jan 25


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Evelyn Ward

What I really love about working with clay is that there seems to be an endless amount to be learned. One idea leads to another and there is a constant evolution of the work, slow as it may be. Sometimes these ideas lead nowhere but sometimes they can lead to something beautiful.

This winter I attended a workshop that focused on silkscreening on clay.  I came away from that workshop thinking about all of the possibilities this opened up.

I experimented a bunch and ended up making silkscreens with images of patterns that I had already been using in my work. I then used those screens to apply underglaze on leather hard pots and later glazed them with my turquoise glaze which is transparent so you could see the patterns once the piece was fired. I really love the layered effect this gives the pots and the way the glaze changes across the piece in combination with the underglaze pattern, giving the pot a more dynamic surface. Several pots in our show “Common Ground” are the result of these experiments.


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Garry Childs

I love the title of this show, “Combinations”.  I don’t recall which one of us suggested it other than that it wasn’t me, but as soon as it was suggested I immediately and enthusiastically said yes. Pottery is all about combinations. It begins with a combination of earth and water after all, then combine that with fire. Add a combination of glass forming materials and you have a glaze. Then there are combinations of form and surface, colors and textures.

My work for the show has been done with the title of the show in mind.

A few years ago I started doing some pots that I call the “Red Clay Series”. These pots use local clays that I dig straight from the ground applied to the surface of the pots to develop very interesting and natural textures. That process has evolved to include other materials that add additional color and texture. I have several vases in this show that utilize this technique combined with the glazing and carving seen on most of my work. Additionally there are two heavily textured large platters that are intended to be used as wall hangings. I also have some pots that use a metallic glaze with similar materials applied over the surface to develop texture along with bright, strong colors. The “Combinations L’Orb” are some that I am quite pleased with. There isn’t any carving at all on these

I have a new blue color that I am using in combination with a black glaze on a couple of pieces for the show. It also works nicely with my red glaze. And of course my usual combination of glazed and carved planters, vases, bowls and platters will be on display throughout the gallery.


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This year for the show Earthworks I’m continuing to use the method of building and deconstructing in the medium of cold wax & oil. However, I’m concentrating on the ‘connectedness ‘ between earth, man, fauna, plants and everything else making up the universe, and the loss that may occur if we don’t become more mindful.

The idea of us not just being a part of nature, but connected in some way through a primal web of energy intrigues me and feels calming. It makes such sense to me. How else can one explain how we feel the same awe when watching a sunset, or feel anguish when we see someone in pain, or get teary-eyed at a wedding.

2nd try Jude's image

My paintings in cold wax & oil, encaustics and collage are a journey to articulate on a surface an emotion I have difficulty in articulating in words. Sometimes I’m on an archaeological excursion. From building up layers of colors and textures, to scraping away, scratching and uncovering what is beneath, leads me to new places I discover.

In this show I am also exploring working with rust on silk and combining it with copper which I fold and torch fire to bring out the colors.

I have been involved with art in one way or another throughout my life. Presently, I work in my studio built by my husband. The studio has easels, enameling kiln, pottery kiln, pottery wheel, slab roller, encaustic equipment, an assortment of paints and mediums, and many other items that inspire me to create.


Resolutions 2016

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The Hillsborough Gallery Of Arts Celebrates NC Artists With A Statewide Juried Show

RESOLUTIONS 2016, the title of The Hillsborough Gallery of Art’s second statewide juried show, is an exhibition of the work of artists from across North Carolina.

The Hillsborough Gallery of Arts, an artist-owned fine art and fine craft gallery located in historic Hillsborough, North Carolina, will celebrate the start of the New Year by hosting a juried fine art and fine craft exhibit from January 4 to January 24, 2016. Titled Resolutions 2016, the exhibition includes the work of two-dimensional and three-dimensional fine artists from throughout North Carolina.  All works are for sale.

Guest juror for the awards will be Dr. Peter Nisbet, Chief Curator and Interim Director of the Ackland Art Museum in Chapel Hill, NC. Nisbet has extensive national and international experience in collection development and exhibitions. Formerly Curator of the Busch-Reisinger Museum at the Harvard Art Museum, he was responsible for a collection of 39,000 works of art and played a leading role in the reconceptualization and revitalization of the museum. Nisbet holds a BA and MA from Cambridge University and a PhD in the History of Art from Yale Universiity

Opening Reception

January 8th




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ART from shows

In the Mind’s Eye

Jude Lobe


Jude's out west

In explaining the inspiration behind her work for “In The Mind’s Eye”, painter, Jude Lobe says, ” Recently I had an explosion of new sun-drenched images imprinted in my mind on a trip to the big sky country in and near Santa Fe, NM. In this show, a majority of the artworks represent a visual adventure in expressing the glory and exuberance of these images I now find in my mind’s eye.  Some are representational of the natural environment and some are more abstract, but both exude the emotion of the moment and reference our strong connections to the earth. ”


Jude's buffalo



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July postcard RGB

Artists Lolette Guthrie, Alice Levinson and Evelyn Ward are featured this month at the Hillsborough Gallery of Arts. They will be showing their newest work in an exhibit titled


Painter Lolette Guthrie states that for “Reflections she explored through her paintings both the physical idea of reflections of sky in water and her own reflections on what it felt like to be in a particular place at a particular time. Her long interest in composition, color relationships and the edges of paintings has led to increasingly simplified/spare landscapes and to abstractions derived from these landscapes. She will be exhibiting both oil paintings and pastels.

Guthrie writes, “I paint largely from memory, so my paintings are always reflections on what I have experienced. Because the light quality at a particular time of day, the temperature and the season are so much a part of my memories, my paintings are also always paintings of light and atmosphere as I strive to capture the ephemeral nature of light to creates a mood that is timeless. I begin a piece with a general idea of time and place and let the painting tell me where and how far to go. At some point the painting always takes on a life of its own so I am never sure what the end result will be.

Many of Guthrie’s pieces are reflections on time spent on the tiny island of Ocracoke, NC. Located at the southernmost tip of the Cape Hatteras National Seashore, it is bounded on one side by Pamlico Sound with its beautiful and vitally important marshes, and on the other by the Atlantic Ocean, thirteen miles of pristine beaches and the magic of the ever-changing sea. Says Guthrie, “It is a place to heal, to relax and to find one’s center. Paradoxically, it is also where I go to get reenergized, where I feel most alive, where I find inspiration.”

Textile artist Alice Levinson will be exhibiting her non-traditional sewn clothworks. Levinson writes, “My work generally begins with fragments of thoughts or memories, jotted in a verbal ‘sketchbook.’ This text suggests visual motifs and choice of technique as I move toward the work.”

I have looked at ‘Reflections’ as a metaphor. Just as our image, reflected in a mirror is refracted through the medium of light, so past experiences are seen as refracted through the prism of time. Memories, recollections are transformed through time as new experiences and novel circumstances influence our sense of the familiar.” Levinson explains that she began her work for this exhibit by “looking back to earlier techniques, to materials previously used. Moving ahead, I experimented with new ways of using these familiar processes and tools. At times actually starting with remnants of an earlier effort and turning it on its head to yield a new direction. The clothworks in this exhibit are the result of this exercise. Each piece has its inception in the familiar elements, yet each represents an exploration beyond the known and practiced toward the new.”

“Visual motifs primarily derive from nature” continues Levinson, “which provides a major source of inspiration for my work. Color and movement are primary features. In each piece, hand dyed fabric has been layered and densely sewn. Occasionally I add bits of vintage cloth remnants to add visual and textural interest – as you might add spices to enhance a stew. Sewing, both machine and hand stitching, is my principal construction medium. I work to meld the disparate pieces of cloth into an integral whole, unifying them with lines drawn of stitching and multicolored thread.”

Potter Evelyn Ward will be showing her salt-fired pottery. She writes that her work for this show is an outgrowth of reflections on her frequent walks outdoors and time spent working in her garden. Ward states “I will largely be exhibiting functional pieces such as vases, pitchers and bowls that incorporate my hand-drawn decals. These decals are made from drawings inspired by the time spent in my garden and on frequent walks. I love to draw the plants and flowers I encounter; I don’t try to reproduce nature but rather try to find the essence of my subjects. This process forces me to slow down and reflect as I search out the essential elements.”

Ward’s functional pottery is made to be used. She hopes her work will add enjoyment to people’s lives, whether it’s a bowl used to serve food at a family celebration or the quiet respite a cup of coffee in a handmade mug can bring.

Please join us for an opening Reception

Friday July 31


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