Earthworks

Connections

JUDE LOBE

This year for the show Earthworks I’m continuing to use the method of building and deconstructing in the medium of cold wax & oil. However, I’m concentrating on the ‘connectedness ‘ between earth, man, fauna, plants and everything else making up the universe, and the loss that may occur if we don’t become more mindful.

The idea of us not just being a part of nature, but connected in some way through a primal web of energy intrigues me and feels calming. It makes such sense to me. How else can one explain how we feel the same awe when watching a sunset, or feel anguish when we see someone in pain, or get teary-eyed at a wedding.

2nd try Jude's image

My paintings in cold wax & oil, encaustics and collage are a journey to articulate on a surface an emotion I have difficulty in articulating in words. Sometimes I’m on an archaeological excursion. From building up layers of colors and textures, to scraping away, scratching and uncovering what is beneath, leads me to new places I discover.

In this show I am also exploring working with rust on silk and combining it with copper which I fold and torch fire to bring out the colors.

 
I have been involved with art in one way or another throughout my life. Presently, I work in my studio built by my husband. The studio has easels, enameling kiln, pottery kiln, pottery wheel, slab roller, encaustic equipment, an assortment of paints and mediums, and many other items that inspire me to create.

CopperBowl&inside

Earth Wind and Fire

unspecifiedJude's image
JUDE LOBE
 
When I was a child, one might have called me a tom-boy. I spent endless days exploring the woods and parks, climbing trees and building forts near our home in Maryland. I continued my exploration of  wild and natural environments as an adult. Luckily, I lived equal distance from the Shenandoah and the Blue Ridge Mountains to Assateague and Chincoteague Islands. In these places I felt at home, peaceful, serene and wistful. 
These natural habitats give me a connection to a past, a history of bygone times. Being in these beautiful endangered landscapes gives me solace from stress and hope for a future. In this exhibit I revisit some of these places in my mind and attempt to capture the emotion I felt there and being captivated by the play of light on a rock cliff, or swaying grass in the wind.
 
My medium of choice for these landscapes is Cold Wax & Oil. The cold wax is a consistency of a paste wax. It is made of beeswax and resins. I mix it 50:50 with oil paints or earth pigments. It has the advantage of giving me the opportunity to show a history of the painting by building up layers of colors, then scratching through to reveal some of the obscured colored layers. To me it is a metaphor of the history of the landscape and how it has evolved over time. 
 
My paintings, rather than being a photographic likeness of the landscape, are rather an emotional interpretation of it with an abstract quality. My hope is that the viewer either gains a feeling of peace and hope I feel when in nature, or reminds them of a similar special place in their memory.