Earthworks

 

Chris Graebner

My paintings fall into two general categories, botanicals and landscapes. My landscapes are drawn from my travels and are based on photos often taken out of a car window using a cell phone. Because I’m handicapped I don’t do a lot of walking, but you’d be surprised what a lot of wonderful things can be seen from the driver’s seat of an automobile! In fact, sometimes I just drive around Orange County back roads taking pictures of old barns and fields.

The paintings in this show were all done from photos taken between January 2016 and February 2017 in places as disparate as Florida, Iowa and Michigan. Three of the paintings, “At Anchor,” “Dock at the Pines” and “Deer on the Runway” are of an island in Lake Huron we’ve been going to each summer for the last few years. The Nebraska, Kansas and Iowa paintings were done from photos taken on the way back from a family wedding in South Dakota.

One of the fun things about cellphone photos is that they include GPS data allowing you to find the exact place they were taken. And, if you need more visual information from a different angle than you’ve captured in your photo you can often find it on Google street view. That doesn’t mean that my paintings are exact representations of what is in the photo, or even of what is actually in the location. I do a fair amount of editing – adding or deleting, moving things around, changing colors etc. – but you would certainly be able to match up the paintings with the photos that inspired them.

 

EARTHworks

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Garry Childs describes his technique, “All of my work is formed on the potters wheel from terra-cotta clay. I apply glazes and pigments to my pots when they have reached a state potters call “leather-hard” which is when the clay has stiffened up enough to handle, but is not completely dry. I usually do this by spraying, but sometimes also with a brush. I then carve through the glaze into the still damp clay to achieve the various patterns seen on my work.”

Chris Graebner describes her inspiration for the show, “I love to drive, especially on long trips. Every summer we go to Northern Michigan – to Lake Huron. It’s a trip I love, two days up and two days back, driving through gorgeous scenery, forests and farms. (It’s amazing how many different types of barns there are!) Last summer, in addition to the trip to Michigan, we made a 3700 mile trip to South Dakota, returning home by way of Texas and Louisiana. As usual, I did most of the driving. Driving forces me to pay attention to everything around me and I’m always amazed by the beauty. Painting is my way of possessing that beauty so I want to paint it all!  My husband is patient about taking photos with the cell phone as we sail past interesting things on the highway. My paintings in this show are all of places observed from the car, in our travels over the last year.”

Jude Lobe’s work presented in Earthworks reflects her love and respect of nature. “For this show I’m still using the method of building and deconstructing, but concentrating on the connectedness between earth, man, fauna, plants and everything else making  up the universe, and the loss that may occur if we don’t become more mindful. I like mixing mediums and love textures, which becomes a metaphor for how all things in the universe are interwoven and intertwined. My paintings in cold wax & oil, encaustics and collage are a journey to articulate on a surface an emotion I have difficulty in articulating in words.”

“Sometimes I’m on an archaeological excursion. From building up layers of colors and textures, to scraping away, scratching and uncovering what is beneath, the process leads me to new places I discover.”

Opening Reception
May 26th, 2017, 6 – 9 pm

Dreaming in Color

Lolette Guthrie

_The Color Of Summer

I am a landscape painter. I work largely from memory so my paintings are reflections on what I experienced at a particular time in a particular place. They are also always paintings of light and atmosphere as I continually strive to capture the ephemeral nature of the light remembered. I begin each piece with a general idea of time and place and then let the painting tell me where and how far to go. It is as though I am observing a conversation between the brush and the paint on the canvas and as a result I am never sure what the end result will be because at some point each piece takes on a life of its own and I just follow along. Long interest in composition, color relationships and the importance of the edges of a piece has led to increasingly spare landscapes and abstracted landscapes.

Skyfire

For “Dreaming In Color” I concentrated on exploring the use of color, especially in the sky, in such a way that it would almost alone give the viewer a sense of space, light, time of day, temperature, and weather. In most pieces the foreground is the accent note. I have also included two abstracted landscapes based on the geography of Ocracoke Island as it sits just below Hatteras Island between the Pamlico Sound and the Atlantic Ocean. They are explorations of the rich summer colors found in the sea and sky and the sound.

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ART from shows

Resolutions 2016

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The Hillsborough Gallery Of Arts Celebrates NC Artists With A Statewide Juried Show

RESOLUTIONS 2016, the title of The Hillsborough Gallery of Art’s second statewide juried show, is an exhibition of the work of artists from across North Carolina.

The Hillsborough Gallery of Arts, an artist-owned fine art and fine craft gallery located in historic Hillsborough, North Carolina, will celebrate the start of the New Year by hosting a juried fine art and fine craft exhibit from January 4 to January 24, 2016. Titled Resolutions 2016, the exhibition includes the work of two-dimensional and three-dimensional fine artists from throughout North Carolina.  All works are for sale.

Guest juror for the awards will be Dr. Peter Nisbet, Chief Curator and Interim Director of the Ackland Art Museum in Chapel Hill, NC. Nisbet has extensive national and international experience in collection development and exhibitions. Formerly Curator of the Busch-Reisinger Museum at the Harvard Art Museum, he was responsible for a collection of 39,000 works of art and played a leading role in the reconceptualization and revitalization of the museum. Nisbet holds a BA and MA from Cambridge University and a PhD in the History of Art from Yale Universiity

Opening Reception

January 8th

6-9

 

 

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ART from shows

Uncharted

March_postcard_RGBPlease come join us for our reception

Discoveries

Lolette Guthrie

My paintings are paintings of light and atmosphere. I strive to capture the ephemeral nature of light that captures a mood that is timeless.

 

softly

 

I mostly paint from memory arranging the elements to form interesting compositions. Regardless of whether it is a traditional landscape or an abstraction, I find myself seeing and feeling the space, light, time of day, temperature and weather in my mind’s eye and letting what is on the canvas direct my hand.   Each piece begins with a loose idea that evolves gradually and intuitively as I build up the surface layer by layer. I always have an idea of what I want to explore but invariably I find that the painting takes on a life of it’s own and I’m never sure where it will end up. This experience is both exhilarating and, at times, confusing. I think it must be much like the experience of a writer whose characters take over and force the direction of the story.

 

summersky

 

I work both in oils and pastels but always in the same way, by applying countless layers of pigment and allowing each layer to show through. This process gives a wonderful richness to the surface. In the case of pastels, I use a fixative between the layers so that each layer remains bright and doesn’t become muddy. To get the same result with oils, I must let each layer dry before the next is applied. I also move back and forth between landscapes and the abstractions based on those landscapes. I find switching gears in this way keeps me from “getting stuck”.

 

lookingoutwardlg

 

For this show, I concentrated on discovering how to paint an interesting sky that almost alone would give the viewer a sense of space, light, time of day, temperature, and weather. In most pieces, the foreground is the accent note.

 

 

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LOOK DEEP INTO NATURE AND YOU WILL UNDERSTAND EVERYTHING BETTER

INTERSECTIONS, painting by Jude Lobe

INTERSECTIONS, painting by Jude Lobe

“Look deep into nature, and then you will understand everything better”, is a quote by Albert Einstein.

As a child, I loved to put together puzzles. It was fascinating to see how different elements fit together and changed the look of the individual piece that was now part of a whole. Intersections is the coming together of ideas, crossing, and bisecting. Through our lives we all intersect with each other, with nature, and with other cultures. These intersections effect us in multiple ways and help us thrive.  Some of the artworks are expressions of my ‘intersections’, others include different materials intersecting within the same artwork.”

Seeking Serenity, cold wax & oil by Jude Lobe

Seeking Serenity, cold wax & oil by Jude Lobe

My work for this show is predominately cold wax & oil and encaustics. Cold wax is a soft paste formulated to make oil paint colors thicker and more matte. It is made with beeswax, resin and mineral spirits. My technique in painting with cold wax & oil is a process of addition and subtraction.

Nature is my muse and the common thread through my work.  As a part of nature I believe we need to respect the connection we have with the natural environment. In nature things change, evolve. Like a forest goes through an ecological succession, so do we as individuals evolve and are at present a compilation of fragments and parts of the experiences we traveled. Cold wax & oil lends itself perfectly in expressing this idea. It affords the opportunity to show a history of the painting by building up layers, obscuring what’s beneath, and then removing sections of layers to reveal bits of past layers. The paintings represent the history of a life that becomes the compilation of bits and pieces of it’s past experiences.

My hope is that my paintings resonate with the viewer on an emotional level and makes one feel something. I attempt to capture how being out in nature makes me feel free and peaceful.

More of my work can be seen at the Hillsborough Gallery, Oil and Cold Wax  and my Jude Lobe art website. Click on any of the highlighted words to visit those sites.

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Longing for Tranquility,  painting by Jude Lobe

Longing for Tranquility, painting by Jude Lobe