About Hillsborough Gallery of Arts

An art gallery owned and operated by local artists. Hillsborough Gallery of Arts represents established artists exhibiting modern and contemporary fine art and fine craft. Artworks include painting, sculpture, ceramics, photography, fiber art, jewelry, glass, metal, mosaics, encaustics, enamels, watercolors and wood.

Parallel Play

While considering a title for their three person show, Jason, Evelyn and Ellie sifted through many words in an effort to evoke their creative commonalities. Many came from geometry: intersection, structure, converge, planes, parallels, and perspective. Words related to play such as natural, spontaneous, and essential were another common thread. In the end “Parallel Play” seemed a perfect combination of both themes.

Ellie Reinhold states, “Several years ago I inadvertently fell in love with using geometric grids in my paintings. I’d paint a spray of circles or rectangles, to both break up and hold together my landscapes. I fell in love with the balance these paintings struck between landscape and abstraction. In lucky moments, the representation that remained was stronger once it had been pulled away from convention. While my work is informed by elements from the natural world, (tree forms in particular), my process pulls it away from simple landscape into a different arena altogether. This process demands a playful, risk-taking approach. A constant willingness to let go of things I love– to destroy what’s on the canvas– in order to find the path to a better painting.”

Sculptor, Jason Smith, states, “As an artist, sculpture has always been my primary focus. Though I have worked in many mediums, I always return to metal because of its strength, malleability and inherent beauty. My sculpture is abstract. I manipulate form in space to create visual balance, combining rhythm, movement, and action to create compositions that convey the energy found in my work.

Potter Evelyn Ward creates pots that reflect the strength of a salt fire with the delicacy of a sepia photograph. Ward writes, “I like to make good, useful pots that someone will enjoy using every day.” Her process for creating them is far from simple. First, each piece passes through a labor-intensive salt firing. Then the pots are placed in a second electric kiln firing, which fastens ceramic decals of delicate plant drawings, or photographs to the rich, salt-glazed background. Evelyn designs and creates all of the images for the decals, which are derived from her photographs and drawings of botanical subjects.

Opening Reception

6-9

April 28

Let the River Answer

Eduardo Lapetina
My paintings are a way for me to enter the world, not an escape from it. A painting opens a door into a space in which a play may be staged, where plot points, conflict, climax, and resolution all come together. In the process of creation, a painting becomes a battlefield for my struggles about what is, what is not, what ought to be, what I like, what I love, what I hate, frustrations, disenchantment, embarrassments. My art exposes to the world my most private thoughts and feelings, forming a spatial connection between what lives within me and what is alive in everyone else.
I want my spaces to be painted without intention, without conscious technique, without anything that might interfere with the connections I seek to create. I do not want to keep a tradition. I am not looking for beauty but the viewer might find it in my art. And it is not about any particular theme or motif, it is about effectively conveying the immaterial through materiality. My aim is to project energy, visual vibrations, light, voices,excitement, and enthusiasm, captured in a physical form that you can take home with you.

Let the River Answer

 Michael Salemi

This past year has been a year of losses.  Not the least of these was the death of the poet Leonard Cohen.  Among my generation, Cohen is best known for the song “Suzanne,” the woman who lives by the river and, when faced with a difficult situation, “let’s the river answer.”  That song and the poetry it holds was, for me, the motivation for our show.

Rivers are tricky.  On most days they are peaceful.  But on some they are raw power and will have their own way.

It’s like that in woodturning.  On most days, the lathe is a peaceful place to work.  The wood is gentle and the turner translates it into peaceful and pleasant shapes that beg to be held. But sometimes, the wood is not peaceful.  It is gnarly, with voids and grain patterns unsuitable for pleasant shapes. Confronted by wood like that it is best if the turner let’s the wood be what it will.

Our show has been a joy.  It is always fun, and a little frightening, to offer a new body of work to gallery regulars. Our community supports us so well and, in turn, we are driven as artists to live up to that support. We know that we too must let the river answer.

Let the River Answer

Arianna Bara

 

A table top made of a glimmering 6ft slice of petrified tree trunk. A single quartz crystal taller than I am (and I’m tall). Geodes you can step into. These are some of the amazing things I saw during my first trip to the Tucson Gem, Mineral and Fossil Show in Arizona last February.

My friend, jeweler Melissa Booth, had been urging me to go for several years. For her it is an annual pilgrimage, and it is indeed a mecca in the world of gem and mineral buying, collecting and trading. The gem show is actually more than 40 shows sprawled throughout the city, the premier show being that of the American Gem Trade Association (AGTA). Located inside the plush convention center is a United Nations of buyers and sellers: diamond sellers from India in impeccable suits, German stone-cutters with sapphires and topaz, South Africans with pietersite (a rare form of tiger eye), the Russian “mafia” selling, well, whatever you want.

And Australian boulder opals, which completely entranced me with their irregular shapes and variety of colors: flecks of red, bright green, cobalt blue, yellows, black, pinks, creams and purples. Definitely not your grandmother’s opals (well maybe yours but not mine).

Some opal was being sold in large chunks of the rock it formed in, clearly showing its origins. Opal begins as liquid silica and flows into open cavities in the stone. When it is mined the top is cut off revealing a shimmering river of every color imaginable. Because of the liquid nature of silica, in rare instances, fossils can become “opalized”, turned into opal. In even rarer cases the internal details of the fossil are opalized as well. Opalized dinosaur teeth, bones and entire skeletons have been excavated.

The Australian boulder opal I brought back from Tucson has really inspired me. I hope you will come the Hillsborough Gallery of Arts and see my new work and let me know what you think.

Let the River Answer

march-postcard-rgbArianna Bara describes the inspiration for each of her new one-of-kind creations in sterling silver: “My pieces for this show are about questions. The ones we all have about why we are here and what we are here to do. Believing as I do that we are spiritual beings having a human experience and that nature is our partner and guide in that experience, the search for answers leads me to look to what is right beneath my feet, to what is right beside me as I walk in the woods or along the river. I believe the answers surround us and are there for us to discover.”

Wood turner, Michael Salemi writes, “Normally, rivers contain the flow of water within their banks. But when water is too powerful to be contained, the river answers by changing. My work for this show displays the same tension. Some pieces are controlled shapings of wood to classic and expected forms, but others reflect the power of the wood itself—the work becomes what the wood would have it be.”

Of his new work for the show, Eduardo Lapetina states, “My paintings are a way for me to enter the world, not an escape from it. A painting opens a door into a space in which a play may be staged– where conflict, climax, and resolution all come together. In the process of creation, a painting becomes a battlefield for my struggles about what is, what is not, what ought to be, what I like, what I love, what I hate, frustrations, disenchantment, embarrassments. My art exposes to the world my most private thoughts and feelings, forming a spatial connection between what lives within me and what is alive in everyone else. I want my spaces to be painted without intention, without conscious technique, without anything that might interfere with the connections I seek to create. I do not want to keep a tradition. I am not looking for beauty, but the viewer might find it in my art. My paintings are not about any particular theme or motif, they are attempts to convey the immaterial through materiality. My aim is to project energy, visual vibrations, light, voices, excitement, and enthusiasm, and to capture them in a physical form that you can take home with you.”

Opening Reception

Friday March 31st

6-9

 

 

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it’s all about the story

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“Out Of Abaton” is John Bemis‘ new interpretation of the well-loved tale of Pinocchio. Just as the wooden puppet changes into a human boy, Bemis transforms this classic story with fantastic creatures, alchemy, and the mystery of human emotion–all woven into the magical and glorious landscape of Italy. The artists of the Hillsborough Gallery of Arts depict this fantasic tale in paintings, photography, metal, fiber, glass, ceramics, and wood. It is a show for all those who appreciate rich story telling and local art.

About John Claude Bemis:

John Claude Bemis is an award-winning author and also an inspiring speaker and musician. Bemis grew up in North Carolina and became an elementary school teacher after studying Art History and Education at UNC-Chapel Hill. His experiences of reading, exploring, and teaching naturally evolved into a career of writing. He received the Exellence in Teaching Award from UNC Chapel Hill’s School of Education and was chosen as North Carolina’s Piedmont Laureate for Children’s Literature in 2013. He lives in Hillsborough, North Carolina.

Reception

Feb 24

6-9

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Now and Again

 

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The Hillsborough Gallery of Arts is celebrating 10 years as a gallery with a group show including 42 members, past and present. The gallery opened in September of 2006, and the founding 15 members started the gallery as a leap of faith. The artists did not know each other, and they had little experience in running a business. The gallery is now run by 21 members who are equal partners and make decisions by consensus. Featured artist shows, group shows, and juried shows create a strong relationship between the artists and their surrounding community. Now and Again, the latest group show, is the Hillsborough Gallery of Arts’ way of celebrating with all of the talented artists and friends who have made the gallery a success.

Opening Reception

Friday

January 27

6-9

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